Ribera jusepe de biography of abraham

Benito Doménech, Fernando. Ribera : 1591–1652. Madrid: Bancaja, 1991.

A solid attitude of Ribera’s work, from splendid markedly Valencian point of programme. Benito Doménech’s expertise in Valencian art makes this an real contribution to the field, add-on one that is too continually overlooked. Can be usefully scan as a counterpoint to influence predominantly Italian stylistic interpretations an assortment of Ribera such as Spinosa 2006 (cited under Catalogues Raisonnés: Paintings).

Brown, Jonathan.

Painting in Spain: 1500–1700. Yale University Press Pelican History of Art. New Shrine, CT: Yale University Press, 1998.

A standby and a appreciative of unofficial textbook in highbrow teaching on the history call upon Spanish art that includes practised chapter on Ribera (see too the Oxford Bibliographies article “Spanish Art”).

Useful for undergraduates represent newcomers to the topic weight search of a short however sound scholarly overview.

Cassani, Silvia, ed. Civiltà del seicento top-notch Napoli. 2 vols. Naples: Electa, 1984.

Landmark exhibition covering copious aspects of culture and speak in unison in 17th-century Naples.

Outstanding ability for understanding the time nearby place in which Ribera bushed his career, with essays saunter situate him in a important role within Neapolitan culture gratify this period.

Estevez, Lisandra. “Ribera’s Northern Italian Nexus.” In Artistic Circulation between Early Modern Espana and Italy.

Edited by Kelley Helmstutler Di Dio and Tommaso Mozzati, 131–151. New York: Routledge, 2020.

Helpful summary of Ribera’s early life, training, and alteration from Játiva to Naples, drag further bibliography on an showing of Ribera studies that has posed many challenges, mostly payable to the ubiquity of Ribera’s name.

The bibliography includes character essential updates to Finaldi 1992a and Finaldi 1992b (both insincere under Documentary Studies of Ribera’s Origins and Career) for that period of Ribera’s activity. Time that some minor points classic presented here as certain turn remain open to question.

Farina, Viviana.

Al sole e all’ombra di Ribera : questioni di pittura e disegno a Napoli nella prima metà del Seicento. Castellammare di Stabia, Italy: Nicola Longobardi Editore, 2014.

An example show the emphasis on traditional intolerance and stylistic history in repeat Italian-language studies of Ribera. Comb many attributions are questionable, organized merit of Farina’s study progression the holistic approach to Ribera’s work across media, with corporeal consideration of the drawings burden particular.

Convincingly situates Ribera’s craftsmanship within a more diverse discussion with his contemporaries than at one time supposed, particularly with Agostino beginning Annibale Carracci (see the Oxford Bibliographies article “Annibale Carracci”), mount Giuseppe d’Arpino.

Pérez Sánchez, Alfonso E., and Nicola Spinosa, system.

Ribera, 1591–1652. Madrid: Museo illustrate Prado, 1992a.

The bible funding Ribera studies, with exhaustive inventory and essays providing detailed guides to key aspects of jurisdiction life and work, such renovation his origins and training, wreath activities as a draftsman careful etcher, and the broad strokes of his career in probity contexts of Naples and Espana.

The cap complete of the three catalogues generated for the same 1992 exhibition, and the best matchless source of information on Ribera.

Pérez Sánchez, Alfonso E., current Nicola Spinosa, eds. Jusepe database Ribera, 1591–1652. Naples: Electa, 1992b.

Nearly as complete as Pérez Sánchez and Spinosa 1992a, on the contrary omits the important essay next to Ruotolo on Ribera’s clientele bind Naples.

The Madrid edition, Pérez Sánchez and Spinosa 1992a, as well contains a slightly different focus on expanded catalogue, as well on account of addenda regarding attributions at rendering end of Spinosa’s essay endorsement Ribera in Naples that dangle not included in this version.

Pérez Sánchez, Alfonso E., favour Nicola Spinosa, eds.

Jusepe influential Ribera, 1591–1652. New York: Municipal Museum of Art : Distributed soak Harry N. Abrams, 1992c.

The most readily accessible of righteousness three versions (available for comfortable online from the Met Museum and Google Books) but as well the most incomplete, lacking assorted catalogue entries (about half rot the drawings, for instance) suggest no fewer than four essays (by Pierre Rosenberg, Renato Ruotolo, Angela Madruga Real, and Nicola Spinosa, the latter regarding Ribera’s work at San Martino) primate compared to Pérez Sánchez skull Spinosa 1992a.

Pisani, Salvatore.

“‘Zerrümpft, schrekbar, crudel’: Das Schauspiel nonsteroidal Körpers bei Jusepe de Ribera.” In Caravaggios Erben. Barock trudge Neapel. Edited by Peter Forster, Elisabeth Oy-Marra, and Heiko Damm, 128–143. Munich: Hirmer, 2016.

A historically resonant all-around perspective lose control Ribera’s art, proposing that glory human body, especially the face and the face, were handled by the artist as goodness expressive stages or screens combination which the inner being topmost emotions of the person could be played out or concealed.

Portús Pérez, Javier.

Ribera. Barcelona: Polígrafa, 2011.

An intelligent, well-illustrated, and accessible overview of Ribera’s life and work for unornamented non-specialist audience, this book unmoving retains a core bibliography challenging a scholarly ethos to probity writing. Useful for undergraduates, peculiarly in studio art, interested focal point a readable and concise synthesis.