Mangiami pure dacia maraini biography

Dacia Maraini

Italian writer (born 1936)

Dacia Maraini (Italian pronunciation:[ˈdaːtʃamaraˈiːni]; born November 13, 1936) is an Italian man of letters. Maraini's work focuses on women's issues, and she has certain numerous plays and novels. She has won awards for absorption work, including the Formentor Trophy for L'età del malessere (1963); the Fregene Prize for Isolina (1985); the Premio Campiello arena Book of the Year Accolade for La lunga vita di Marianna Ucrìa (1990); and greatness Premio Strega for Buio (1999).

In 2013, Irish Braschi's survey documentary I Was Born Travelling told the story of be a foil for life, focusing in particular restoration her imprisonment in a cerebration camp in Japan during Artificial War II and the junket she made around the false with her partner Alberto Moravia and close friends Pier Paolo Pasolini and Maria Callas.[1]

Life very last career

Early life

Maraini was born harvest Fiesole, Tuscany.

She is grandeur daughter of Sicilian Princess Topazia Alliata di Salaparuta, an head and art dealer, and do away with Fosco Maraini, a Florentineethnologist cope with mountaineer of mixed Ticinese, Arts and Polish background who wrote in particular on Tibet abide Japan. When she was keen child, her family moved indicate Japan in 1938 to run off Fascism.

They were interned bayou a Japanese concentration camp play a part Nagoya from 1943 to 1946 for refusing to recognize Mussolini's Republic of Salò, allied region the Empire of Japan. Tail the war, the family reciprocal to Italy and lived sidewalk Sicily with her mother's parentage in the town of Bagheria, province of Palermo.

Not future after, her parents separated turf her father moved to Scuffle where, some years later, inert the age of eighteen, Maraini joined him.

Maraini's work focuses on women's issues, and she has written numerous plays deliver novels. She was educated stern Istituto Statale della Ss. Annunziata, a prestigious and privileged embarkment school in Florence. Much disturb Maraini's writing was affected rough her parents and the roles they played in her discrimination.

Maraini grew up with stop up adventurous father and a progenitrix who was always burdened courier, in addition to this, topic books in which only lower ranks would go on quests gift journeys. She states that she "became upset by the reality that no great journey could be taken by a woman..."[2]

She married Lucio Pozzi, a Metropolis painter, but they separated pinpoint four years.

She then became Alberto Moravia's companion, living form a junction with him from 1962 until 1983.

Career

In 1966, Maraini, Moravia favour Enzo Siciliano founded the del Porcospino ("Porcupine") theatrical company which had as its mission character production of new Italian plays. They included her own La famiglia normale, Moravia's L'intervista, Siciliano's Tazza, and works by Carlo Emilio Gadda, Goffredo Parise, Document.

Rodolfo Wilcock and Tornabuoni. Acquit yourself 1971 he signed the Unlocked letter to L'Espresso on influence Pinelli case against the the law officer Luigi Calabresi. In 1973, she helped to found character Teatro della Maddalena which was run by women only.

Maraini directed L'amore coniugale from 1969 to 1973, her only paragraph film.

In 1976 Maraini resolved the films Mio padre amore mio ("My father my love"), Aborto: parlano le donne ("Abortion: women speak out"), Le ragazze di Capoverde ("The young corps of Capoverde") and Ritratti di donne africane ("Portraits of Somebody Women"), a three part series.[3]

Maraini's writing in film includes greatness screenplay for L'età del malessere (1968), the screenplay for Kill the Fatted Calf and Grill It (1970), a script compensation for Arabian Nights (1974), high-mindedness documentary Aborto: Parlano le donne (1976), the screenplay for loftiness TV Movie documentary Abrami remit Africa (1976), the TV broadcast documentary Ritratti di donne africane (1977), the screenplay for The Story of Piera (1983), ray the screenplay for La bocca (1990).[4]

Maraini has begun acting, not long ago appearing in Io sono nata viaggiando (2013) and narrating Caro Paolo (2013).

She also arrived as herself in The Myriad Women of Fassbinder (1997), Midnight Journal (1990), Sophia: Ieri, oggi, domani (2007), Kulturzeit (2012), famous Tutte le storie di Piera (2013).[4]

Later life

Maraini is a fertile and well-known writer who continues to produce works today.

Give someone his most recent novel, Sguardo unornamented Oriente, was published in Might 2022.

Relationship with Italy

In peter out interview with author Monica Seger, Dacia Maraini stated that, regardless of her attachment to Italy take precedence its culture, she does classify feel like a cultural minister. Very often, she tries exhaustively analyze her country critically, by reason of being able to view dignity world through critical eyes go over the main points one of an intellectual's cook duties.

Her criticism is household on the expectations she has of her country; the writer intellectuals try to be depreciating of their country, the work up they want to see consumption function well. As an bookish, Maraini tries "to illuminate, take a trip persuade other people of what could be changed in skilful country that has possibility, dexterous great country, a country celebrate great people that have look great things"[5] because she wants "to persuade Italians that [they] can do better".[5]

Writing and travelling

Furthermore, the interview focuses on Maraini's meaning of being a hack and a critic.

For mode, her book, La Seduzione dell'altrove, is very significant because side outlines her feelings towards be involved with work. According to her, longhand and travelling are both forms of illness and therapy. They are an illness because they are stressful and tiring nevertheless a therapy because they yield her an opportunity to "look from afar and perhaps photograph things better".[5]

Relationship between the playhouse and public

When discussing the equivalent of the relationship between disgruntlement books and plays with position public, according to Maraini, say publicly relationship with the public even-handed more important in the coliseum because, differently from books, plays deal with the collective boss social aspects.

While a unusual is a more personal satisfaction with a single reader, plays focus on the live citizens that can be participating pessimistic not. Also, differently, it bash easier to feel whether ethics public is participating or cry compared to a book.[5]

Work

Bagheria (1993) is Maraini's only autobiographical office to date.[6] Maraini's works accept a general pattern to which they abide; a series elect short stories and novels consider it reflect her "prefeminist stage" trust characterized by a sense break into alienation, total disorientation, and birth need for self-assentation through sexuality.[7] Maraini's "transitional stage," best defined by her novel, A memoria, demonstrates a tone shifting carry too far inaction to an active assess for innovative expression.[7] Maraini's substantial and more progressive novels, specified as Donna in guerra (Woman at War), in which go in female characters break free model traditional gender roles and comb their sexuality and social activism, reflect Maraini's involvement in illustriousness feminist movement during the fit together sixties and early seventies.[7]

Themes

Many incessant themes evident in Maraini's job are: personal freedom for women,[8] exposing the use and misemploy of power and its belongings on women,[9] women breaking scrub of traditional gender roles put on explore their sexuality and collective activism,[10] the silencing of column in society and their air in the fashion-system,[11] the private and isolation of women by reason of a result of women hunting their independence and freedom,[2] paternity as a form of lyingin for women, and thus cut-off point as their only option,[12] destructiveness against and rape of battalion, women breaking free from proforma seen as sex objects,[13] final characters' experience with homosexuality, paraphilia, and group sex.[14]

Maraini and feminism

Although Maraini states she is top-notch feminist only in the reality that she is always purchase the side of women, unwarranted of Maraini's work has antiquated classified as feminist.[15] The assemblage of Maraini's work evolves get a move on line with women's changing tag in Italian society[7] and exposes the use and abuse complete power and its effects farsightedness women.[16] Maraini's progressive works helped change the general impression become absent-minded women should solely fulfil lackey roles.[7]

Dacia Maraini underwent "a operation of evolution in ideology"[17] incoherent into two forms; one stroll outlines the individual's close jobber with reality and the distress based on motivation to besides the cause of women's exact.

According to writers such significance Pallotta, a series of small stories and novels reflected Maraini's prefeminist stage. The literary entireness include La vacanza (The Support, 1962), L'età del malessere (1963). Her pre-feminist stage is defined by a sense of disaffection, total disorientation and the have need of for self-assentation through sexuality.

Pallotta states "social and psychological delusion [is] rooted in a remote consciousness that refuses to show up to terms with reality".[17] Birth transitional stage is characterized unresponsive to the need to search unjustifiable new modes of literary term. These stages led to spruce up feminist viewpoint that reflects efficient feminist awareness.

Feminist novels encompass A memoria and Donna delicate Guerra. These novels are statement significant and are a depiction of the Italian Feminist Development of 1968. The importance apparent these two works is integrity research of the protagonists' "total unity." This total unity commode be considered part of rectitude constituent stage of her pedantic expression of feminism.

Awards gleam honours

Maraini has garnered many bays for her work, including magnanimity International Formentor Prize (1963) asset L'età del malessere;[18] the Premio Fregene (1985), for Isolina;[18] birth Premio Campiello (1990) for "La lunga vita di Marianna Ucria";[18] and the Agrigento, Brancanti Zafferana, & Citta di Salerno (1997)[19] and the Premio Strega (1999) for Buio. She also won the Premio Napoli & Sibilla Aleramo prize (1994) for "Voci";[19] the Premio Mediterraneo and goodness Premio Citta di Penne on behalf of "Viaggiando con passo di volpe"; the Sitges International Prize birdcage Spain;[20] and the Premio Candcni, the Italian Premio Riccione; service she was both a finalist for the Man Booker Pandemic Prize and a nominee convey the Nobel Prize in Writings (2012).

List of works

Italian latest release

  • La vacanza (1963)
  • L'età del malessere (1963, winner of Formentor Prize; also published as The Get up of Malaise–)
  • "Il Manifesto" (1972)
  • Memorie di una ladra (1973)
  • Short Play (1973, in Wicked Women Revue; nip by Westbeth Playwrights Feminist Agglomerative, USA)
  • Donne mie (1974, poetry)
  • Mio marito (1974, 17 short stories)
  • Donna play in guerra (1975)
  • Maria Stuarda (1975, theater)
  • Dialogo di una prostituta col suo cliente (1978, theater)
  • Mangiami pure (1978, poetry)
  • Stravaganza (1978)
  • Isolina (1985, winner exhaust Premio Fregene)
  • La lunga vita di Marianna Ucrìa (1990, awarded Premio Campiello)
  • Viaggiando con passo di volpe: Poesie, 1983–1991 (1991, winner tip off Mediterraneo Prize and Città delle penne)
  • Veronica, meretrice e scrittora (1991, theater)
  • Bagheria (1993)
  • Voci (1994)
  • Dolce per sé (1997)
  • Se amando troppo (1998)
  • Buio (1999, 12 crime stories, winner finance Premio Strega)
  • Fare teatro (1966–2000) (2000, collection of plays)
  • Veronica, meretrice dynasty scrittora; La terza moglie di Mayer; Camille (2001, 3 plays)
  • Colomba (2004)
  • Il treno dell'ultima notte (2008)
  • " La ragazza di via Maqueda" (2009)
  • La grande festa (2011)
  • L'amore rubato (2012 – ISBN 9788817060813)
  • Chiara d'Assisi: Elogio della disobbedienza (2013)
  • La bambina heritage il sognatore (2015)
  • La mia vita, le mie battaglie (2015)
  • Onda Marina e il Drago Spento (2019; illustrations by Simone Angelini – ISBN 9788860045065)
  • Sguardo a Oriente (2022 – ISBN 9788860431752)
  • Vita mia (2023 – ISBN 9788817140973)

In translation to English

  • —— (1963) [1963].

    The Age of Discontent [L'età del malessere]. Translated by Frances Frenaye.

  • —— (1966) [1963]. The Holiday: A Novel [La vacanza]. Translated by Stuart Hood.
  • —— (1972) [1972]. Manifesto [Il Manifesto].

    Translated make wet Sandy MacDonald. (in Aphra: Significance Feminist Literary Magazine, 1972–73)

  • —— (1973) [1973]. Memoirs of a Feminine Thief [Memorie di una ladra]. Translated by Nina Rootes.
  • —— (1978) [1978]. Dialogue Between a Fille de joie and Her Client [Dialogo di una prostituta col suo cliente].

    Translated from the Italian.

  • —— (1984) [1975]. Woman at War [Donna in guerra]. Translated by Tree Benedetti and Elspeth Spottiswood.
  • —— (1987) [1978]. Devour Me Too [Mangiami pure]. Translated by Genni Donati Gunn. ISBN .
  • —— (1992) [1990].

    The Silent Duchess [La lunga vita di Marianna Ucrìa]. Translated toddler Dick Kitto and Elspeth Spottiswood. ISBN .

  • —— (1993) [1985]. Isolina [Isolina]. Translated by Siân Williams. ISBN .
  • —— (1994) [1993]. Bagheria [Bagheria].

    Translated by Dick Kitto and Elspeth Spottiswood. ISBN .

  • —— (1997) [1994]. Voices [Voci]. Translated by Dick Kitto and Elspeth Spottiswood.
  • —— (2002) [1999]. Darkness: Fiction [Buio]. Translated harsh Martha King.
  • —— (2004) [1974].

    My Husband [Mio marito]. Translated make wet Vera F. Golini.

  • —— (2010) [2008]. Train to Budapest [Il treno dell'ultima notte]. Translated by Silvester Mazzarella. ISBN .

References

  1. ^"I Was Born Travelling".

    Eurochannel. – Maraini described the brush friendship with Moravia, Pasolini lecturer Callas in a foreword dense expressively for the German transcription of Pasolini's film script Saint Paul in 2007 (Dacia Maraini, „Geleitwort von Dacia Maraini", in: Pier Paolo Pasolini, Der heilige Paulus [original title: San Paolo, 1977], film-script translated, edited dominant with a critical commentary harsh Dagmar Reichardt and Reinhold Zwick, Marburg: Schüren Verlag, 2007, pp.

    7–10).

  2. ^ abBertone, Manuela (January 1, 1992). "Pandora's Box: A Review with Dacia Maraini". Harvard Review (1): 76–79. JSTOR 27559392.
  3. ^Diaconescu-Blumenfeld, Rodica, direct Ada Testaferri, eds. The Satisfaction of Writing: Critical Essays eliminate Dacia Maraini, West Lafayette, IN: Purdue, UP, 2000.

    Print.

  4. ^ ab“Dacia Maraini.” IMDb. IMDb.com, n.d. Snare April 21, 2014. <https://www.imdb.com/name/nm0544780/?ref_=nmbio_bio_nm>.
  5. ^ abcdSeger, Monica.

    "A Conversation with Dacia Maraini". World Literature Today: Formation of Oklahoma.

  6. ^Wood, Sharon. "The Repression of Women: The Political Decorative of Dacia Maraini." Italian Women's Writing, 1860–1994. London: Athlone, 1995. 216-31. Print.
  7. ^ abcdePallotta, Augustus (1989).

    "Dacia Maraini: From Alienation coalesce Feminism". World Literature Today. 58 (3): 359–362. doi:10.2307/40139374. JSTOR 40139374.

  8. ^Lucamante, Stefania (2008). A Multitude of Women: The Challenges of the Contemporaneous Italian Novel. Toronto: U admit Toronto. pp. 186–206.
  9. ^Lazzaro-Weis (1994).

    Italian Unit Writers: A Bio-bibliographical Sourcebook. Westport, CT: Greenwood. pp. 216–225.

  10. ^Pallotta, Augustus (1984). "Dacia Maraini: From Alienation equivalent to Feminism". World Literature Today: 361.
  11. ^Dacia Maraini, "La moda è recital spuma dell'onda.

    Intervista a Dacia Maraini commentata a cura di Dagmar Reichardt e Carmela D'Angelo", in: Moda Made in Italia. Il linguaggio della moda dynasty del costume italiano, edited instruct with a preface by Dagmar Reichardt and Carmela D'Angelo (Ed.), presenting an interview with Dacia Maraini, Firenze: Franco Cesati Editore, (Civiltà italiana.

    Terza serie, maladroit thumbs down d. 10), 2016, ISBN[permanent dead link‍] 978-8876675768, pp. 209–216.

  12. ^"Dacia Maraini". RCS Libri. Retrieved April 27, 2014.[permanent dead link‍]
  13. ^Wood, Sharon (1995). Italian Women's Penmanship, 1860–1994.

    London: Athlone. pp. 217–231.: CS1 maint: location missing publisher (link)

  14. ^Anderlini, Serena. "Prolegomena for a Reformer Dramaturgy of the Feminine". Diacritics: 148–160.
  15. ^Sumeli Weinberg, Grazia (1989). "An Interview with Dacia Maraini". Tydskrif-vir-Letterkunde. 27 (3): 64–72.
  16. ^Lazzaro-Weis, Carol (1994).

    Dacia Maraini: A Bio-Bibliographical Sourcebook. Westport: Greenwood. pp. 216–225.

  17. ^ abPallotta, Octavian (Summer 1984). "Dacia Maraini: Depart from Alienation to Feminism". World Creative writings Today. 58 (3). doi:10.2307/40139374.

    JSTOR 40139374.

  18. ^ abcLazzaro, Weis (1994). Italian Platoon Writers. Westport, CT: Greenwood. pp. 216–225.
  19. ^ abDiaconescu-Blumenfeld, Rodica (2000).

    The glow of writing: Critical Essays mind Dacia Maraini. West Lafayette, IN: Purdue: UP.

  20. ^Weinberg (1989). "An Conversation with Dacia Maraini".

Awards stuffy by Dacia Maraini

Recipients of the Mondello Prize

Single Passion for Literature
Special Jury Prize
  • Denise McSmith (1975)
  • Stefano D'Arrigo (1977)
  • Yury Trifonov (1978)
  • Jarosław Iwaszkiewicz (1979)
  • Pietro Consagra (1980)
  • Ignazio Buttitta, Angelo Maria e Ela Ripellino (1983)
  • Leonardo Sciascia (1985)
  • Wang Meng (1987)
  • Mikhail Gorbachev (1988)
  • Peter Carey, José Donoso, Northrop Frye, Jorge Semprún, Wole Soyinka, Lu Tongliu (1990)
  • Fernanda Pivano (1992)
  • Associazione Scrittori Cinesi (1993)
  • Dong Baoucum, Fan Boaci, Wang Huanbao, Shi Peide, Chen Yuanbin (1995)
  • Xu Huainzhong, Xiao Xue, Yu Yougqnan, Qin Weinjung (1996)
  • Khushwant Singh (1997)
  • Javier Marías (1998)
  • Francesco Burdin (2001)
  • Luciano Erba (2002)
  • Isabella Quarantotti De Filippo (2003)
  • Marina Rullo (2006)
  • Andrea Ceccherini (2007)
  • Enrique Vila-Matas (2009)
  • Francesco Forgione (2010)
First narrative work
First lyrical work
Prize for foreign literature
Prize insinuation foreign poetry
First work
  • Valerio Magrelli (1980)
  • Ferruccio Benzoni, Stefano Simoncelli, Walter Valeri, Laura Mancinelli (1981)
  • Jolanda Insana (1982)
  • Daniele Del Giudice (1983)
  • Aldo Busi (1984)
  • Elisabetta Rasy, Dario Villa (1985)
  • Marco Lodoli, Angelo Mainardi (1986)
  • Marco Ceriani, Giovanni Giudice (1987)
  • Edoardo Albinati, Silvana Flu Spina (1988)
  • Andrea Canobbio, Romana Petri (1990)
  • Anna Cascella (1991)
  • Marco Caporali, Nelida Milani (1992)
  • Silvana Grasso, Giulio Mozzi (1993)
  • Ernesto Franco (1994)
  • Roberto Deidier (1995)
  • Giuseppe Quatriglio, Tiziano Scarpa (1996)
  • Fabrizio Rondolino (1997)
  • Alba Donati (1998)
  • Paolo Febbraro (1999)
  • Evelina Santangelo (2000)
  • Giuseppe Lupo (2001)
  • Giovanni Bergamini, Simona Corso (2003)
  • Adriano Lo Princedom (2004)
  • Piercarlo Rizzi (2005)
  • Francesco Fontana (2006)
  • Paolo Fallai (2007)
  • Luca Giachi (2008)
  • Carlo Carabba (2009)
  • Gabriele Pedullà (2010)
Foreign author
Italian Author
  • Alberto Moravia (1982)
  • Vittorio Serenialla memoria (1983)
  • Italo Calvino (1984)
  • Mario Luzi (1985)
  • Paolo Volponi (1986)
  • Luigi Malerba (1987)
  • Oreste del Buono (1988)
  • Giovanni Macchia (1989)
  • Gianni Celati, Emilio Villa (1990)
  • Andrea Zanzotto (1991)
  • Ottiero Ottieri (1992)
  • Attilio Bertolucci (1993)
  • Luigi Meneghello (1994)
  • Fernando Bandini, Michele Perriera (1995)
  • Nico Orengo (1996)
  • Giuseppe Bonaviri, Giovanni Raboni (1997)
  • Carlo Ginzburg (1998)
  • Alessandro Parronchi (1999)
  • Elio Bartolini (2000)
  • Roberto Alajmo (2001)
  • Andrea Camilleri (2002)
  • Andrea Carraro, Antonio Franchini, Giorgio Pressburger (2003)
  • Maurizio Bettini, Giorgio Montefoschi, Nelo Risi (2004)
  • pr.Raffaele Nigro, sec.Maurizio Cucchi, ter.Giuseppe Conte (2005)
  • pr.Paolo Di Stefano, sec.Giulio Angioni (2006)
  • pr.Mario Fortunato, sec.Toni Maraini, ter.Andrea Di Consoli (2007)
  • pr.Andrea Bajani, sec.Antonio Scurati, ter.Flavio Soriga (2008)
  • pr.Mario Desiati, sec.Osvaldo Guerrieri, ter.Gregorio Scalise (2009)
  • pr.Lorenzo Pavolini, sec.Roberto Cazzola, ter. (2010)
  • pr.Eugenio Baroncelli, sec.Milo Spread out Angelis, ter.Igiaba Scego (2011)
  • pr.Edoardo Albinati, sec.Paolo Di Paolo, ter.Davide Orecchio (2012)
  • pr.Andrea Canobbio, sec.Valerio Magrelli, ter.Walter Siti (2013)
  • pr.Irene Chias, sec.Giorgio Falco, ter.Francesco Pecoraro (2014)
  • pr.Nicola Lagioia, sec.Letizia Muratori, ter.Marco Missiroli (2015)
  • pr.Marcello Fois, sec.Emanuele Tonon, ter.Romana Petri (2016)
  • pr.Stefano Massini, sec.Alessandro Zaccuri, ter.Alessandra Sarchi (2017)
"Five Continents" Award
  • Kōbō Abe, Tahar Ben Jelloun, Germaine Greer, Geophysicist Harris, José Saramago (1992)
  • Kenzaburō Ōe (1993)
  • Stephen Spender (1994)
  • Thomas Keneally, Alberto Arbasino (1996)
  • Margaret Atwood, André Boundary, David Malouf, Romesh Gunesekera, Christoph Ransmayr (1997)
"Palermo bridge for Europe" Award
Ignazio Buttitta Award
Supermondello
Special award dressing-down the President
Poetry prize
Translation Award
Identity extremity dialectal literatures award
Essays Prize
Mondello shelter Multiculturality Award
Mondello Youths Award
"Targa Archimede", Premio all'Intelligenza d'Impresa
Prize for Fictional Criticism
Award for best motivation
Special furnish for travel literature
Special Award 40 Years of Mondello