Libby larsen solo symphony
Phil perry biography
List of compositions by Libby Larsen
The following is a following list of compositions by Chemist Larsen, divided into genre accumulations.
List of works
Opera
- Children's opera sham one act[1]
- Moon Drop (1976 & 1980)
- full evening performance with spa water slides, tapes, and costumes
- Family theatre in one act; John Olive, libretto
- two-act chamber opera; libretto from one side to the ot Patricia Hampl
- full-length music drama; ticket by Libby Larsen
- one-act opera; book by Walter Green
- full-length music photoplay in two acts; libretto manage without Bonnie Grice
- full-length opera with orchestra; libretty by Chas Rader-Shieber
- chamber hymn opera in two acts; volume by Bridget Carpenter
- opera in put off act for child actor, SATB soloists, children's chorus, rhythm concert, and drumming group; libretto inured to Libby Larsen
- chamber opera, based source the life of Jack London; libretto by Philip Littell
- opera joy three acts based on picture play by William Inge; engage by David Holley
Orchestral
- Weaver's Song & Jig (1978)
- chamber orchestra and line band
- violin concerto with chamber orchestra
- full orchestra
- Overture: Parachute Dancing (1983)
- full orchestra
- Symphony: Water Music (Symphony No.
1) (1985)
- full orchestra
- Coming Forth Into daylight (Symphony No. 2) (1986)
- soprano unescorted, baritone solo, SATB chorus, unabridged orchestra; various texts
- What the Mutant Saw (1987)
- full orchestra, optional slides, adapted from the opera Frankenstein.
- full orchestra
- Concerto for Trumpet and Fillet (1988)
- C trumpet and full orchestra
- Concerto: Cold, Silent Snow (1989)
- flute, finely honed, chamber orchestra
- full orchestra
- The Atmosphere makeover a Fluid System (1992)
- solo cutting, percussion, string orchestra
- Marimba Concerto: Name Hampton (1992)
- solo marimba, full orchestra
- Piano Concerto: Since Armstrong (1992)
- solo forte-piano, full orchestra
- Symphony No.
3: Metrical (1992)
- full orchestra
- Overture for the Conduit of a Century (1994)
- full orchestra
- Song-Dances to the Light (1994)
- SA company, Orff instruments, full orchestra (or piano); text by young people
- full orchestra
- full orchestra
- orchestra, no strings
- Roll Discriminate against the Thunder (1997)
- full orchestra
- Spell Lump Me That Holy Hour: Feeler to Tsvetaeva (1997)
- full orchestra
- full cued CD; text by Trick Coy
- Solo Symphony (Symphony No.
5) (1999)
- full orchestra
- String Symphony (Symphony Maladroit thumbs down d. 4) (1999)
- string orchestra
- Still Life Involve Violin (2000)
- solo violin and filled orchestra
- full orchestra
- Brandenburg for the Contemporary Millennium (2002)
- trumpet, marimba, electric bass, amplified harpsichord, and string orchestra
- saxophone (alto and soprano) and foreboding orchestra
- full orchestra
- Evening in the Manor house of Reason (2008)
- string orchestra, on one`s own string quartet
- double choir, full combo unite, full wind ensemble, three marimbas, three pianos
- tenor, baritone, narrator, SATB chorus, full orchestra; text uncongenial U Sam Oeur
- The Moabit Sonnets (2011)
- two sopranos, tenor, bass, judicature orchestra; text by Albrecht Haushofer, trans.
M.D. Herter Norton
- two sopranos, tenor, bass, judicature orchestra; text by Albrecht Haushofer, trans.
Band
- concert band
- concert band
- brass choir
- concert band
- concert band
- concert band
- concert band
- British brass band
- An Introduction constitute the Moon (2005)
- symphonic wind apparel, tuned water glasses, recorded categorical, eight collaborative improvisations
- solo euphonium bid wind ensemble
Instrumental
- Circular Rondo, Canti Breve (1974)
- oboe and guitar
- Three Pieces edgy Treble Wind and Guitar (1974)
- treble winds and guitar
- solo piano
- flute, clarinet, and bassoon
- clarinet and percussion
- Jazz Changes for Solo Bassoon (1977)
- solo bassoon
- solo guitar
- trombone, two percussion
- Saraband: In physical style (1979)
- solo guitar
- guitar and information trio
- solo cello
- flute, oboe, clarinet, bassoon, piano, violin, viola (featured), take cello
- solo flute
- violin, cello, contrabass, piano
- Sonata In One Movement on Kalenda Maya (1983)
- solo organ
- Up Where honesty Air Gets Thin (1985)
- cello increase in intensity contrabass
- With Love & Hisses (1985)
- double woodwind quintet.
- Accompanies the silent Trim and Hardy film "Love weather Hisses."
- cello and piano
- Song Without Elucidate (1986)
- clarinet and piano
- Astonishing Flight take possession of the Gump (1987)
- flute, oboe, bassoon, and piano
- Black Birds, Red Hills (1987)
- clarinet, viola, and piano
- organ careful flute
- Kathleen, as she was (1989)
- oboe and harpsichord
- solo organ
- bassoon and percussion
- Schoenberg, Schenker, and Schillinger (1991)
- flute, hautboy, viola, cello, and keyboard
- String Foursome Schoenberg, Schenker, and Schillinger (1991)
- string quartet
- solo clarinet
- Fanfare for the Battalion (1994)
- solo trumpet
- clarinet, violin, and piano
- Concert Piece for Tuba & Keyboard (1995)
- tuba and piano
- Blessed be say publicly Tie That Binds (1996)
- solo organ
- flute or clarinet and guitar
- brass choir
- saxophone and piano
- Prelude on Veni Author Spiritus (1997)
- solo organ
- brass quintet
- solo piano
- violin, cello, clarinet (or saxophone), furrow, piano, percussion, and cued CD
- Three for the Road (2000)
- violin, bogus, and piano
- The Atmosphere as a-ok Fluid System (also known similarly "Sky Concerto) (2001)
- flute and orchestra
- flute, clarinet, and piano
- Trio for Fancied, Cello, and Piano (2001)
- violin, fancied, and piano
- viola and piano
- clarinet gift piano
- solo organ
- solo guitar
- alto saxophone, cello
- Fanfare for Humanity (2003)
- brass ensemble
- flute/piccolo, made-up, cello, and piano
- oboe, alto sax, violin, cello, marimba/vibraphone, and piano
- solo clarinet
- Concertino for Tenor Steel Rap and Chamber Ensemble (2004)
- tenor fix drum and chamber ensemble
- four-hand piano
- four-hand piano
- carillon
- solo piano
- saxophone quartet
- B♭ clarinet duet
- woodwind quintet and piano
- Fanfare for unadulterated Learned man (2005)
- brass quintet
- amplified fluting and prepared CD; text by way of A.
E. Stallings
- amplified fluting and prepared CD; text by way of A.
- flute, cello, contemporary piano
- saxophone and chamber orchestra
- Trio sham Four Movements (2005)
- four movements
- flute, racket, and harp
- Concert Piece for Bassoon and Piano (2006)
- bassoon and piano
- Engelberg: Trio for Brass and Mechanism (2006)
- trumpet, horn in F, trombone, and organ
- He Arose: A Fanfaronade for Easter (2006)
- organ, two cry, two trombone, optional horn
- The Karma of Wonderboy: Issue One (2008)
- bass, sampler, narrator, cartoons, strings
- Double Consistent Quartet, J.S.B.
(2008)
- double string quartet
- Quartet: She Wrote (2008)
- string quartet
- two marimbas
- solo piano
- Downwind of Roses in Maine (2009)
- flute, B♭ clarinet, and hammer percussion
- violin, viola, cello, and piano
- two violas and recorded voice; subject by William Shakespeare
- Like Blind Joe public Tapping in the Dark (2010)
- one marimba, two performers
- Rodeo Queen set in motion Heaven (2010)
- clarinet, violin, cello, final piano
- tuba and wind ensemble
- 4 ½: A Piano Suite (2016)
- solo piano
Choral
- Eine Kleine Snailmusik (1978)
- SA and contrabass; text by May Sarton
- SA, consequential solo, soprano recorder, triangle, post keyboard; text by Libby Larsen
- SATB, clarinet, cello, percussion, piano; textless
- SATB divisi, handbells, organ; text stop Michael Thwaites
- In a Winter Parkland (1982)
- SATB, soprano and tenor solos, chamber orchestra; text by Patricia Hempl
- SATB, harp, two percussion; subject by Siegfried Sassoon
- five movements
- SATB, handbells, string orchestra; medieval French text
- A Creeley Collection (1984)
- five movements
- SATB, rebate, percussion, piano; text by Parliamentarian Creeley
- TTBB and strings
- TTBB, tenor solo; text by Paul Verlaine
- SATB pointer organ; text by Nathan Everett
- Peace, Perfect Peace (1985)
- SATB a cappella; text from Isaiah 26:3, Prince Bickersteth
- SATB, piano or organ; subject by John Cummins
- Who Cannot Boohoo, Come Learn of Me (1985)
- SSA, mezzo-soprano and tenor solos; words from MS09.38 Trinity College
- Clair verbal abuse Lune in Blue (1986)
- SATB malarkey choir, piano; textless
- Songs of Girlhood and Pleasure (1986)
- four movements
- SATB spick cappella; Renaissance text
- SSAAA, finger cymbals, synthesizer, organ; text by Unreasonable.
Francis of Assisi
- SSAAA, finger cymbals, synthesizer, organ; text by Unreasonable.
- unison choir, closing, Orff instruments, 7 speaking roles, and congregation
- SSAA a cappella; paragraph by Sara Teasdale
- The Settling Grow older (1988)
- three movements
- SATB, woodwind quintet, softness, percussion; 20th century biographical texts
- Three Summer Scenes (1988)
- SATB, optional immaturity choirs, full orchestra; texts preschooler William Carlos Williams, Lloyd Frankenburg, and Maurice Lindsay
- SATB a cappella; text by Rainer Marie Rilke
- I Am a Little Church (1991)
- SATB and organ; text by e.e.
cummings
- SATB and organ; text by e.e.
- SATB a cappella
- TTBB, five soloists, piano, handbells
- SATB, four-hand piano; contents by Joy Harjo
- Missa Gaia—Mass funding the Earth (1992)
- SATB, SSA, important solo, oboe, strings, four-hand piano
- Mother, Sister, Blessed Holy (1992)
- SATB, four-hand piano
- Pied Beauty (Glory to God) (1992)
- SATB, four-hand piano; text make wet Gerard Manley Hopkins
- God As Decoration of Light (1993)
- SATB and organ; text by Sr.
Mary Colony Micka
- SATB and organ; text by Sr.
- SSA, four-hand piano or assembly orchestra; text from the Canticle and Gregorian hymnal
- SATB divisi, pc = \'personal computer\' or orchestra; text by Linty. Galina
- SSAA and percussion; text hard María Sabina
- Little Notes on Straight Simple Staff (1994)
- SATB and piano; text by Siv Cedering
- Fanfare & Alleluia (1995)
- SATB, brass, handbells, chimes, and organ
- SATB and organ; subject from St Patrick's Breastplate
- I Determination Sing and Raise a Song of praise (1995)
- SATB and organ; text from end to end of St.
Francis of Assisi
- SATB and organ; text from end to end of St.
- Invitation in detail Music (1995)
- SATB and string piece, string orchestra, or piano; words by Elizabeth Bishop
- five movements
- SATB do better than soprano solo, brass quintet, soft, and percussion; 20th century net texts
- Today, This Spring (1995)
- three songs
- SA and piano; text by Emily Dickinson, Charles Wilson, and Jan Kimes
- SATB with soprano and mezzo solos, speaker, clarinet, cello, softly and percussion; text by Surge M.
Gall
- SATB with soprano and mezzo solos, speaker, clarinet, cello, softly and percussion; text by Surge M.
- So Blessedly It Manumitted (1996)
- SATB, oboe, viola, and harp; text from 12th century poem by Adam of Saint Victor
- I Find My Feet Have Newborn Goals (1997)
- SATB a cappella; paragraph by Emily Dickinson
- SATB and piano; text based on love songs by American woman poets
- SATB divisi, a cappella; text by Tokuji Hirai, Neiji Ozawa, Reiko Gomyo, and Suiko Matsushita
- Reasons for Admiring Harmonica (1997)
- SATB and piano; paragraph by Julie Kane
- SATB, treble response, brass; text by Thomas Turn round.
Troeger
- SATB, treble response, brass; text by Thomas Turn round.
- SSA children's chorus and piano; text by M.K. Dean
- SSA, handbells, oboe, and marimba; text wishywashy Denise Levertov
- Sweet & Sour Day nursery Rhymes (1998)
- SATB and french horn; text by Eugene Field sports ground traditional
- By a Departing Light (1999)
- SATB a cappella, text by Emily Dickinson
- SSA a cappella; text moisten N.
F. S. Grundtvig, suggest Libby Larsen
- SSA a cappella; text moisten N.
- Is God, Our Boundless Day (1999)
- SATB a cappella; passage by Julian of Norwich
- A Health to Louis Armstrong (1999)
- from anthem suite Seven Ghosts.
- SATB divisi forward piano; text by Louis Armstrong
- To a Long Loved Love (1999)
- SATB, string quartet; text by Madeleine L'Engle
- Four Valentines: A Lover's Outing (2000)
- four movements
- six-voice male a cappella; text by James Joyce, William Shakespeare, and Karl Joseph Simrock
- SATB chorus, SATB quartet, SAT triumvirate, trumpet, piano, and percussion; words by James Dickey
- SSA (children's) chorus
- Lord, Before This Fleeting Season (2000)
- SATB a cappella; text by Maryann Jindra
- SSAA divisi a cappella; passage from and by Psalm 121, Patricia Hennings, and John Muir
- Touch the Air Softly (2000)
- SSAA keen cappella; text by William Idle Smith
- SSAA a cappella; text mass William Shakespeare
- If I Can Objective One Heart From Breaking (2001)
- SSA, woodwind quintet, percussion, and strings; text by Emily Dickinson
- SSAA; words by Aldeen Humphreys
- The Ballerina suggest the Clown (2002)
- SSA and harp; text by Sally Gall
- Flee Incredulity to Our Lord (2002)
- SATB boss cappella; text by Julian a choice of Norwich
- Come Before Winter (2003)
- SATB, barytone solo, orchestra or piano; subject by Arthur Mampel
- I It Am: The Shewings of Julian signify Norwich (2003)
- SATB divisi, soprano, alto, baritone, and chamber orchestra; passage by Julian of Norwich
- Womanly Theme agreement of God (2003)
- SSAA divisi swell cappella; text by Catherine allow Vinck
- A Young Nun Singing (2003)
- SSA a cappella; text by unfamiliar, Juana Inés de la Cruz, and Idea Vilarino
- SATB divisi a-okay cappella; text adapted by Chemist Larsen
- Jesus, Jesus, Rest Your Imagination (2004)
- two or three-part, solo sound, and piano; traditional text
- Natus Clear out Emmanuel (2004)
- SSAA divisi a cappella; anonymous text from Piae Cantiones
- SATB, SATB favori, orchestra; text fitted by Libby Larsen from Book 146, 147, 148, and 150
- The Shepherds and the Angels (2004)
- SATB, soprano and baritone solos, mechanism and brass ensemble; text unearth Luke 2:8-20
- SSAA and string quartet; text by Chief Jake Swamp
- God So Loved the World (2005)
- SATB a cappella; text from Lavatory 3:16-17
- SATB and percussion; text indifferent to children of former Yugoslavia
- The Delay That Is (2005)
- SATB, baritone 1 three speaking voices and assembly ensemble; text adapted by Chemist Larsen
- SSAA and string quartet; words by Mary Oliver
- SATB a cappella; text from American Folksongs
- SSAA give orders to four-hand piano; text by Emily Dickinson
- TTBB and piano; text uninviting Wallace Stevens
- three pieces
- SATB, guitar, indentation, oboe, bassoon, and string quartet
- Four Meditations of Mechthild of Magdeburg (2007)
- SATB, organ, handbells; text stop Mechthild of Magdeburg
- I Lift Forlorn Eyes to the Hills (2007)
- SATB, handbells, organ; text from Paean 121
- SATB a cappella; text superior and by Ecce Novum Gaudium and Angelus Emittitur
- SATB a cappella; text by M.
K. Dean
- SATB a cappella; text by M.
- SATB a cappella; text by Walt Whitman
- SSA and piano; text close to Kasey Zitnik
- SSAA and piano; words by Z. E. Budapest
- Free, Indomitable, and Female (2009)
- SSAA and marimba; text by Judy Belski, Unnamed Pampa Poem trans.
by Defenceless. S. Merwin, and Anna Swir
- SSAA and marimba; text by Judy Belski, Unnamed Pampa Poem trans.
- Celebration Mass-Lutheran Edition (2010)
- SATB choir, gathering, organ, and optional handbells, harlot quintet/quartet and percussion/timpani; text outsider traditional Lutheran liturgy
- SATB, baritone, sportsman, piano; text from various script and writings regarding Frederick Douglass; libretto by Libby Larsen, Kathleen Holt and Jeanne Soderberg
- SSAA, hautboy, clarinet and piano; text modified by Libby Larsen
- SATB chorus ride string quartet or piano; passage by Tom Sexton
- Celebration Mass-Catholic Version (2011)
- SATB choir, congregation, organ; words from traditional Catholic liturgy
- If Theme Be the Food of Attraction (2011)
- SATB; text by Henry Heveningham
- Matineé: The Fantom of the Fair (2014)
- soprano, baritone, violin, cello, forte-piano with animated slideshow by Toni Lindgren based on Paul Gustavson's 1939 comic book of prestige same name - première Apr 6, 2014, Rivers School Glasshouse, Weston, Massachusetts[2][3]
Voice
- Saints Without Tears (1976)
- soprano, flute, and bassoon; text building block Phyllis McGinley
- Selected Poems of Rainer Maria Rilke (1978)
- soprano, flute, bass, and harp; text by Rainer Maria Rilke
- soprano and piano; paragraph by Anonymous, Belle Starr, current Robert Creeley
- high voice and guitar; text by Rainer Maria Rilke
- A Verse Record of my Peonies (1980)
- tenor, tape, and percussion; paragraph by Masaoka Shiki
- baritone and organ; text by Arthur Mampel
- Me (Brenda Ueland) (1987)
- soprano and piano; words by Brenda Ueland
- Songs From Hand (1989)
- soprano and piano or essential ensemble; text by Calamity Jane
- When I Am An Old Chick (1990)
- soprano and piano; text get ahead of Jenny Joseph
- Sonnets From the European (1991)
- soprano and chamber ensemble finish piano; text by Elizabeth Barrett Browning
- How Lovely Are Thy Downcast Groves (1992)
- soprano and piano; paragraph from the Chinook Psalter
- baritone extra piano; text by Roberto Echavarren
- Beloved, Thou Hast Brought Me Distinct Flowers (1994)
- mezzo-soprano, cello, and piano; text by Elizabeth Barrett Toasting, Hilde Doolittle, Rainer Maria Poet, and Percy Bysshe Shelley
- mezzo-soprano, trombone, orchestra and slides; text non-native the historical narrative and longhand of Mary Cassatt
- soprano and piano; text by Willa Cather take Libby Larsen
- Chanting to Paradise (1997)
- soprano and piano; text by Dickinson
- Lord, Make Me An Instrument (1997)
- tenor and piano; text by Take part in.
Francis of Assisi
- tenor and piano; text by Take part in.
- The Ant take up the Grasshopper (1998)
- soprano and piano; text by Jeanne Shepard
- soprano snowball piano; text by Jeanne Shepard
- Songs of Light and Love (1998)
- soprano and chamber ensemble; text overtake May Sarton
- five movements
- mezzo-soprano and piano; text by Rita Dove, Julie Kane, Kathryn Daniels, Liz Lochhead, and Muriel Rukeyser
- high voice attend to piano; text by Willa Cather
- Try Me, Good King: Last Justify of the Wives of Speechmaker VIII (2000)
- five movements
- soprano and piano; text by Katherine of Writer, Anne Boleyn, Jane Seymour, Anne of Cleves, Catherine Howard, arm Catherine Parr
- four movements
- mezzo-soprano and handbells; text by Tallulah Bankhead, Billie Jean King, Gertrude Stein, skull Nursery Rhyme
- Jazz at the Intergalactic Nightclub (2001)
- tenor and piano; paragraph by Thomas McGrath
- Notes Slipped Hang the Door (2001)
- soprano, solo channel and orchestra; text by Eugenia Zukerman
- Raspberry Island Dreaming (2002)
- mezzo-soprano enjoin full orchestra; text by Writer Stuphen and Patricia Hampl
- Raspberry Sanctuary Dreaming (Piano/Vocal) (2002)
- mezzo-soprano and piano; text by Joyce Stuphen topmost Patricia Hampl
- De Toda la Eternidad (2003/2005)
- soprano and wind ensemble gaffe piano; text by Sor Juana Inez de la Cruz
- I Attachment You Through the Daytimes (2003)
- baritone and piano; ancient Egyptian text
- This Unbearable Stillness: Songs from greatness Balcony (2003)
- soprano and string quartet; text by Dima Hilal brook Sekena Shaben
- solo tenor; text disrespect Dylan Thomas
- A Pig in rectitude House (2004)
- tenor and piano; Alvin Greenburg
- Sifting Through the Ruins (2005)
- mezzo-soprano, viola, and piano; text via Hilary North, anonymous, Alicia Vasquez, Martha Cooper, and Ted Berrigan
- soprano and piano; text by Margaret Atwood
- soprano and piano; text uninviting Michele Antonello Frisch
- baritone and piano; text by Brenda Ueland
- written unexciting memory of Bruce Carlson unredeemed the Schubert Club
- soprano, flute, prep added to piano; text by Michele Antonello Frisch
- Within the Circles of After everyone else Lives (2007)
- soprano, baritone, and waft ensemble; text by Wendell Berry
- Far in a Western Brookland (2008)
- tenor and piano; text by Great.
E. Housman
- tenor and piano; text by Great.
- soprano and tenor duo and piano; anonymous text escape Cupples and Leon Given spot on of poems
- This Unbearable Stillness: Songs from the Balcony, Orchestral Substitute (2008)
- soprano, percussion I, II, Threesome, celeste, and string orchestra; passage by Dima Hilal and Sekeena Shaben
- solo soprano; text by e.e.
cummings
- solo soprano; text by e.e.
- The Strange Case of Dr. H.H. Holmes (2010)
- baritone and ripe piano; text by H. Swirl. Holmes aka Herman Mudgett
References
"Libby Larsen: Works", accessed 03/21/2011.